I completed my undergraduate education at Melbourne University before receiving a PhD from RMIT University, and have taught at RMIT and Monash University. I am one of the editors of the collection Complicated Currents: Soft Power, Media Flows and East Asia, and have written for journals such as Body & Society, The Journal of Popular Culture, and Continuum.
Black, D., Epstein, S., Tokita, A. (eds), 2010, Complicated Currents. Media Flows, Soft Power and East Asia, Monash University ePress, Melbourne Vic Australia.
Black, D.A., 2013, The digital soul, in Handbook of Research on Technoself: Identity in a Technological Society, Volume 1, eds Rocci Luppicini, IGI Publishing, Hershey, pp. 157-174.
Black, D.A., 2012, The virtual idol: Producing and consuming digital femininity, in Idols and Celebrity in Japanese Media Culture, eds Patrick W. Galbraith and Jason G. Karlin, Palgrave Macmillan, Hampshire UK, pp. 209-228.
Black, D., 2010, Algo-rhythm and Mello-dy: a consideration of the relationship between technology and the embodied performance of music, in Philosophical and Cultural Theories of Music, eds Eduardo de la Fuente and Peter Murphy, Brill, Leiden, NL, pp. 31-47.
Black, D.A., 2010, Cultural exchanage and national specificity, in Complicated Currents: Media Flows, Soft Power and East Asia, eds Daniel Black, Stephen Epstein and Alison Tokita, Monash University ePress, Melbourne, pp. 16.1-16.10.
Black, D.A., Epstein, S., Tokita, A.I.R., 2010, Introduction, in Complicated Currents: Media Flows, Soft Power and East Asia, eds Daniel Black, Stephen Epstein and Alison Tokita, Monash University ePress, Melbourne, pp. v-xx.
Black, D., 2011, What is a face?, Body & Society [P], vol 17, issue 4, Sage Publications Ltd., UK, pp. 1-25.
Black, D.A., 2009, Wearing out racial discourse: Tokyo street fashion and race as style, Journal Of Popular Culture [P], vol 42, issue 2, Wiley-Blackwell Publishing, Inc, United States, pp. 239-256.
Black, D.A., 2008, The virtual ideal: virtual idols, cute technology and unclean biology, Continuum: Journal of Media and Cultural Studies, vol 22, issue 1, Taylor & Francis, Oxon UK, pp. 37-50.
Black, D.A., 2006, Digital bodies and disembodied voices: virtual idols and the virtualised body, Fibreculture, vol E, issue 9, Fibreculture Publications, Australia, pp. 1-9.
Black, D.A., 2001, The Silicone Chick: Lara Croft, Metro, vol 127/128, issue Autumn/Winter, Australian Teachers of Media, Australia, pp. 76-82.
Black, D.A., 2000, An anatomy of light: corporeality and identiy in animation, Metro [P], vol 121/122, Australian Teachers of Media, Melbourne Vic, Australia, pp. 31-36.
Black, D.A., 2000, Enma's Eye: Race, Observation and the Oriental(ist) Gaze, Colloquy: text theory critique, vol 4, issue September, Monash University, Melbourne Vic Australia.
Black, D., 2010, Making faces, time.transcendence.performance: refereed conference proceedings, 01/10/2009 - 03/10/2009, Monash University, Caulfield, Australia, pp. 1-13.
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