I am a graduate of the philosophy programs at Macquarie University (BA Hons.) and the University of Sydney (Ph.D). I have held academic posts in Philosophy at the University of Sydney (1997) and the Australian National University (1998-2000). At Monash University I am a member of the Research Unit in European Philosophy
Deranty, J., Ross, A. (eds), 2012, Jacques Ranciere and the Contemporary Scene: The Philosophy of Radical Equality, Continuum, London United Kingdom.
Ross, A. (ed), 2010, Aesthetic Experience, Equinox Publishing Ltd., UK.
Ross, A. (ed), 2008, The Agamben Effect, Duke University Press, Durham NC USA.
Ross, A., 2007, The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe and Nancy, Stanford University Press, Stanford CA USA.
Ross, A., 2012, Equality in the Romantic art form: The Hegelian background to Jaques Rancière's 'Aesthetic Revolution', in Jacques Rancière and the Contemporary Scene: The Philosophy of Radical Equality, eds Jean-Philippe Deranty and Alison Ross, Continuum International, London United Kingdom, pp. 87-98.
Deranty, J., Ross, A., 2012, Jacques Ranciere and the contemporary scene: The evidence of equality and the practice of writing, in Jacques Ranciere and the Contemporary Scene: The Philosophy of Radical Equality, eds Jean-Philippe Deranty and Alison Ross, Continuum International, London United Kingdom, pp. 1-13.
Ross, A., 2010, Aesthetics (Continental), in A Companion to Philosophy in Australia and New Zealand, eds Graham Oppy, Nick Trakakis, Lynda Burns, Steven Gardner an Fiona Leigh, Monash University Publishing, Australia, pp. 10-14.
Ross, A., 2010, Expressivity, literality, mute speech, in Jacques Ranciere Key Concepts, eds Jean-Philippe Deranty, Acumen Publishing, Durham, pp. 133-150.
Ross, A., 2010, Jean-Luc Nancy: Der Sinn des Bildes, in Das Bild als Denkfigur, eds Simone neuber and Roman Veressov, Wilhelm Fink, Munich, Germany, pp. 315-330.
Ross, A., 2008, Michelangelo Antonioni: the aestheticization of time and experience in The Passenger, in Cinematic Thinking: Philosophical Approaches to the New Cinema, eds James Phillips, Stanford University Press, Stanford CA USA, pp. 40-51.
Ross, A., 2004, Gaston Bachelard, in Dictionary of Literary Biography: 20th-Century European Cultural Theorists, eds Paul Hansom, Gale Group, Detroit, Mich, USA, pp. 1-16.
Ross, A., Ahmadi, A., 2002, Gaston Bachelard (1884 - 1962) and Georges Canguilhem (1904 - 1995): epistemology in France, in The Edinburgh Encyclopaedia of Modern Criticism and Theory, Edinburgh University Press, Edinburgh, pp. 92-99.
Ross, A., 2000, Le Doeuff's Renaissance Amorology, in Michele Le Doeuff: Operative Philosophy and Imaginary Practice, eds Max Deutscher, Humanities Press, Amherst New York NY USA, pp. 249-279.
Ross, A., 2012, Agamben's political paradigm of the camp: its features and reasons, Constellations (Oxford, England) [P], vol 19, issue 3, Wiley-Blackwell Publishing Ltd., United Kingdom, pp. 421-434.
Ahmadi, A., Ross, A., 2012, Jim Jarmusch's Dead Man: The cinematic telling of a modern myth, Angelaki-Journal Of The Theoretical Humanities [P], vol 17, issue 4, Routledge, London, UK, pp. 179-192.
Ross, A., 2011, After Hegel: Art and ontology in Nancy's critique of romanticism, MonoKL [P], vol 10, MonoKL Publishing House, Turkey, pp. 149-163.
Ross, A., 2011, Moral metaphorics, or Kant after Blumenberg: Towards an analysis of the aesthetic settings of morality, Thesis Eleven: Critical Theory and Historical Sociology [P], vol 104, issue 1, SAGE Publications, UK, pp. 40-58.
Ross, A., 2010, The modern concept of aesthetic experience: from ascetic pleasure to social criticism, Critical Horizons [P], vol 11, issue 3, Equinox Publishing Ltd., United Kingdom, pp. 333-339.
Ross, A., 2010, The moral efficacy of aesthetic experience: figures of meaning in the moral field, Critical Horizons [P], vol 11, issue 3, Equinox Publishing Ltd., United Kingdom, pp. 397-417.
Ross, A., 2009, The aesthetic fable: Cinema in Jacques Ranciere's "aesthetic politics", Sub-Stance: A Review of Theory and Literary Criticism [P], vol 38, issue 1, University of Wisconsin Press, Journal Division, United States, pp. 128-150.
Ross, A., 2009, What is the 'force' of moral law in Kant's practical philosophy?, Parallax [E], vol 15, issue 2, Routledge, UK, pp. 27-40.
Ross, A., 2008, 'Art' in Nancy's 'First Philosophy': The artwork and the praxis of sense making, Research in Phenomenology, vol 38, issue 1, Brill, Leiden The Netherlands, Boston USA, pp. 18-40.
Ross, A., 2008, Derrida's writing-theatre: from the theatrical allegory to political commitment, Derrida Today, vol 1, issue 1, Edinburgh University Press, Edinburgh UK, pp. 76-94.
Ross, A., 2008, Introduction, South Atlantic Quarterly, vol 107, issue 1, Duke University Press, Durham NC USA, pp. 1-13.
Ross, A., 2008, Why is 'speaking the truth' fearless? 'Danger' and 'truth' in Foucault's discussion of parrhesia, Parrhesia, vol 4, University of Melbourne, Melbourne VIC Australia, pp. 62-75.
Ross, A., 2007, The aesthetic anomaly: criticism, art and politics in European philosophy (from Adorno to Ranciere), Theory @ Buffalo, vol 11, issue 1, Theory @ Buffalo, Comparative Literature Department Buffalo NY, pp. 97-120.
Ross, A., 2006, The work of the art-work: Art after Heidegger's Origin of the Work of Art, The Journal of the British Society for Phenomenology, vol 37, issue 2, Jackson Publishing and Distribution, Stockport UK, pp. 199-215.
Ross, A., 2005, The art of the sublime: Lyotard and the politics of the avant-garde, Philosophy Today, vol 49, issue 1, De Paul University, Department of Philosophy, USA, pp. 33-45.
Ross, A., 2004, "The Ethics of Embodiment" review of Rosalyn Diprose's Corporeal Generosity: On Giving with Nietzsche, Merleau-Ponty, and Levinas, Cultural Studies Review, vol 10, issue 1, John Libbey & Company Pty. Ltd., Australia.
Ross, A., 2004, Historical undecidability: the Kantian background to Derrida's politics, International Journal of Philosophical Studies, vol 12, issue 4, Routledge, UK, pp. 375-393.
Ross, A., 2002, Dominique Lecourt?s The Mediocracy: French Philosophy Since the Mid-1970?s (Verso, London & New York, 2001), Canadian Review of Comparative Literature / Revue Canadienne de Litterature Comparee, vol 28, issue 2 - 3, Academic Printing & Publishing, Canada.
Ross, A., 2001, Errant beauty: Derrida and Kant on "aesthetic presentation", International Studies in Philosophy, vol XXXIII, issue 2, International Studies in Philosophy and Binghamton University, Binghamton New York NY USA, pp. 87-104.
Ross, A., 2001, The Kantian sublime and the problem of the political, The Journal of the British Society for Phenomenology, vol 32, issue 2, Jackson Publishing and Distribution, Cheshire England, pp. 174-187.
Ross, A., 2000, Introduction to Monique David-Menard on Kant and Madness, Hypatia, vol 15, issue 4, Indiana University Press, Bloomington Indiana, pp. 77-82.
Ross, A., 2000, Japaridze?s The Kantian Subject: Sensus Communis, Mimesis, Work of Mourning (SUNY, Albany, 2000), International Journal of Philosophical Studies, vol December, Routledge, UK.
Ross, A., 2005, Desire, The Deleuze Dictionary, Edinburgh University Press, Edinburgh, pp. 63-65.
Ross, A., 2005, Immanuel Kant, The Deleuze Dictionary, Edinburgh University Press, Edinburgh, pp. 137-140.
Ross, A., 2005, Lacan, Jacques (1901-81), The Deleuze Dictionary, Edinburgh University Press, Edinburgh UK, pp. 140-142.
Ross, A., 2005, Plato (anti-Platonism), The Deleuze Dictionary, Edinburgh University Press, Edinburgh, pp. 208-209.
Ross, A., 2005, Psychoanalysis (entries on Unconscious, Family, Freud), The Deleuze Dictionary, Edinburgh University Press, Edinburgh, pp. 217-221.
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