Vincent works in the Department of Design at Monash University as a Senior Lecturer.
Vince is also affiliated with the Foundation for Art & Creative Technology (FACT) in Liverpool, UK as a FACT Associate and most recently was appointed Digital Media Curator of The Leonardo Electronic Almanac (LEA).
His research focuses on the impact of digital technologies on curatorial design and the implications of virtuality on exhibition-based practices. This interdisciplinary investigation has been articulated recently in Virtuality and the Art of Exhibition (forthcoming publication, Intellect Books, UK). He has published in relation to related topics in various peer-reviewed journals and presented at numerous refereed conferences, both nationally and internationally. He has received invitations to participate in the Tate’s online forum program (Liquid Architectures, 2006), symposia hosted by the National Gallery of Victoria (Sites of Communication. 2007), ISEA (2006, 2008) and delivered a keynote presentation at NODEM 06 Digital Interpretation in Art and Science Museums and Heritage Sites in Oslo, Norway.
He has exhibited widely in solo and group exhibitions in Australia and his independent curatorial practice is represented by exhibitions such as Archival Permanence: Time and Timelessness in 100 Years of Australian Photography, The Synthetic Image: Digital Technologies and the Image, Small Worlds: A Romance and Remote. In August 2008, he will be exhibiting his demonstration exhibition, The Ammonite Order, Or Objectiles for an (Un) Natural History at Ormeau Baths Gallery in Belfast, Northern Ireland as part of the ISEA2009 juried exhibition. In 2011, he will be co-curating The World Is Everything That Is The Case – the Australian representation in ISEA2011, Istanbul, Turkey.
He is research leader of the Photography & Video Research Cluster at Monash Art & Design, Adjunct Programme Advisor for FACT ATELIER (FACT, Liverpool) and member of the international advisory committee of ReWire 2011 (MediaArtHistories conference, Liverpool) and the Virtual NGV steering committee (National Gallery of Victoria, Melbourne). He has been involved in collaborative research in association with Z-Node (ZHdK, Zurich University of the Arts), Media Arts Scoping Study (MASS) and the Omnium Research Group (University of New South Wales, Sydney). During 2008, he was a Visiting Research Fellow with the Slade School of Fine Art (University College London). In 2009, he was awarded a British Council Design Researcher Award.
Dziekan, V.L., 2012, Virtuality and the Art of Exhibition: Curatorial Design for the Multimedial Museum, Intellect Books, Bristol, UK.
Dziekan, V.L., Thomas, P.S. (eds), 2011, The World is Everything that is the Case, Ellikon Press, Melbourne, VIC.
Bennett, R., Dziekan, V.L., 2005, Creative Waves - An Online Global Creative Communication: Students, Educators and Professionals Explore Collaborative Modes of Creative Interaction, Conversation and Working Process, in United Designs - Graphic Design, Practice and Education, eds Inyoung Choi, Masthead, Seoul Korea, pp. 56-67.
Dziekan, V.L., 2012, The art of packing a curatorial portmanteau, Leonardo Electronic Almanac [E], vol 18, issue 5, Leonardo/ISAST, San Francisco CA USA, pp. 292-301.
Dziekan, V., Collins, J., 2011, Aesthetic interaction and the transdisciplinary practice of United Visual Artists, The International Journal of the Constructed Environment [E], vol 1, issue 3, Common Ground, USA, pp. 1-18.
Dziekan, V., 2011, Anxious atmospheres, and the transdisciplinary practice of United Visual Artists, FibrecultureJournal: internet theory criticism research [P], vol 18, Open Humanities Press, Sydney, Australia, pp. 65-91.
Dziekan, V., 2011, The Ammonite Order, Or, Objectiles for an (Un) Natural History, Leonardo Electronic Almanac [E], vol 17, issue 1, MIT Press, USA, pp. 172-183.
Dziekan, V.L., 2009, Remote, Leonardo Electronic Almanac [E], vol 16, issue 4-5, M I T Press, http://mitpress.mit.edu/LEA, pp. 1-2.
Dziekan, V.L., 2008, The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness, New Media Society, vol 10, issue 2, Sage Publications, Bristol, United Kingdom, pp. 357-360.
Dziekan, V.L., 2007, Curatorial design & complexity, M/C Journal, vol 10, issue 3, QUT Creative Industries, http://journal.media-culture.org.au/0706/, pp. 1-7.
Dziekan, V.L., 2007, Distributed spatial practice, as applied to the art of the exhibition, Invisible Culture, vol 0, issue 11, University of Rochester, http://www.rochester.edu/in_visible_culture/Issue_11/title11.html, pp. 1-22.
Dziekan, V.L., 2005, Beyond the museum walls: situating art in virtual space (polemic overlay and three movements), Fibreculture Journal, vol 0, issue 7, Fibreculture Publications, Australia, pp. 1-19.
Zika, J., Dziekan, V.L., 2005, The Dark Ride: The Attraction of Early Immersive Environments and their Importance in Contemporary New Media Installations, Mesh, vol 1, issue 18, Experimenta Media Arts Inc, Melbourne Vic Australia, pp. 19-22.
Dziekan, V.L., 2002, The synthetic image, A Journal of Media and Culture, vol 5, issue 4, Media and Culture Studies Centre of Univ. of Queensland, Qld Australia, pp. 1-5.
Dziekan, V., 2011, Studio pedagogy for situated learning in the culturescape, ISEA2011 Istanbul Conference Proceedings, ISEA International, Istanbul, Turkey, pp. 1-6.
Dziekan, V.L., 2011, Tate in space (and time), Rewire: The fourth International Conference on the Histories of Media Art, Science and Technology, 28 - 30 September 2011, FACT, Liverpool, UK, p. 1.
Dziekan, V.L., 2011, The Curatorial case: Curation as CODEC, ISEA2011 Istanbul Conference Proceedings, ISEA International, Istanbul, Turkey, p. 2.
Dziekan, V.L., 2010, Exhibition aesthetics in the transdicsiplinary practice of United Visual Artists, Paper presented at the International Conference on the Constructed Environment, Venice, Italy, 17-19 November 2010, University of Illinois, USA, p. 20.
Dziekan, V., 2010, Transactions between time and space, time.transcendence.performance: Refereed Conference Proceedings, 1 to 3 October, Monash University, Caulfield East, Vic, pp. 1-12.
Dziekan, V.L., 2009, Preview: programme architecture, Media Art Scoping Study Symposium Proceedings, 04 July 2009, Curtin University of Technology, Perth, WA, pp. 57-64.
Dziekan, V.L., 2008, Locating Media: On Spatial Associations between Digital Media and Exhibition Space, Proceedings of ISEA2008: The 14th International Symposium on Electronic Art, 25 July to 3 August, ISEA2008 Pte Ltd, Singapore, pp. 160-161.
Dziekan, V.L., 2007, Remote: Curatorial Design and the Digital Mediation of Exhibition Space, Digital Thinking in Architecture, Civil Engineering, Archaeology, Urban Planning and Design: Finding the ways, 19 - 21 September, 2007, Europia, Paris, France, pp. 1-21.
Dziekan, V.L., 2006, Distributed Aesthetics and the Tele-image, Publication of the Conference Papers ACUADS 2006, 27 September 2006 to 29 September 2006, ACUADS (Australian Council of University Art and Design Schools), Melbourne Vic Australia, pp. 1-15.
Dziekan, V.L., 2006, Remote: some thoughts on the digital aesthetics associated with the transmitted image, IR 7.0 : Internet Coverages, 27 September 2006 to 30 September 2006, Association of Internet Researchers, Brisbane Qld Australia.
Dziekan, V.L., 2006, Surface Scan//Digital Mediation in the Multimedial Museum: A Melbourne Persceptive//, Nordic Digital Excellence in Museums, 07 December 2006 to 09 December 2006, Nodem, University of Oslo, Oslo Norway.
Dziekan, V.L., 2006, The Ominium Project- reflecting upon the educational demands for online creative collaborations, AEA/AEV Conference 2006: Art Education: Setting the Standard(s), 6 July 2006 to 8 July 2006, Art Education Australia, Melbourne Vic Australia, p. 1.
Dziekan, V.L., O'Brien, D.N., 2005, A Conversation With/in the Multimedia Museum, Pride PreDesign: the cultural heritage and the science of design, 26/05/2005 to 29/05/2005, IADE - Instituto de Artes Visuais Design e Marketing, Lisbon Portugal, pp. 37-45.
Dziekan, V.L., Bennett, R., 2005, Creative Waves: a case study, Era05: World Design Congress - the changing role and challenges of design, 26/09/05 to 28/09/05, Icograda, Icsid and IFI, Copenhagen Denmark, pp. 1-21.
Bennett, R., Dziekan, V.L., 2005, Creative Waves: responding to revised global demands on creative education by challenging traditional paradigms of individual and localised creative processes through collaborative international alliances and technological innovation, Designs of eLearning: International Conference on Teaching and Learning with Technology in Art, Design and Communication, 14/9/05 to 16/9/05, University of the Arts London, London UK, p. 0.
Dziekan, V.L., 2005, Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape, Futureground, 17/11/04 to 21/11/04, Monash University, Melbourne Vic Australia, pp. 79-88.
McKeich, M., Dziekan, V.L., 2005, Software Democracy and the Quiet Revolution of Practice, Vital Signs: Creative practice & new media now, 7 Septmeber 2005 to 9 September 2005, RMIT Publishing, Melbourne Vic Australia, pp. 24-30.
O'Brien, D.N., Dziekan, V.L., 2005, Speculation on the Nature of Experiential Space, Pride PreDesign: The cultural heritage and the science of design, 28/05/02005 to 29/05/2005, IADE Instituto de Artes Visuais Design a Marketing, Lisbon Portugal, pp. 227-233.
O'Brien, D.N., Dziekan, V.L., 2005, Speculation on the nature of experiential space, Pride & PreDesign - The Cultural Heritage and the Science of Design; Proceedings of the 2nd International Meeting, Science of Design, 26 May 2005 to 29 May 2005, IADE - Instituto de Artes Visuais Design e Marketing, Lisbon Portugal, pp. 227-233.
Bennett, R., Dziekan, V.L., 2005, The Omnium Project - forming online communities of students, educators and professionals to explore collaborative modes of creative interaction and practice, ETD2005: Evolution Through Discovery: 8th International Symposium on Electronic Theses & Disserations, 28 September 2005 to 30 September 2005, University of New South Wales, Sydney NSW Australia, pp. 1-13.
Bennett, R., Dziekan, V.L., 2005, The Omnium Project: Establishing online communities to explore collaborative modes of creative interaction and education, Proceedings of the 22nd ascilite conference 2005 - Balance, Fidelity, Mobility: maintaining the momentum?, 4 December 2005 to 7 December 2005, The Department of Teaching and Learning Support Services - Queensland University of Technology, Brisbane Qld Australia, pp. 79-88.
Dziekan, V.L., 2004, A present absence: on art, and the interrelationship between its physical and virtual spaces, PixelRaiders2, 08/04/04 - 08/04/04, Sheffield Hallam University, UK, pp. 1-23.
Dziekan, V.L., 2004, Angle of view: perspective on an interdisciplinary investigation of virtuality and the art of exhibition, Image, text and sound 2004: the yet unseen: rendering stories, 21/09/2004 - 22/09/2004, RMIT UniversityRMIT Publishing, Australia, pp. 1-10.
Dziekan, V.L., 2003, Il Mediceo avanti il principato al tempo di Lorenzo (Beyond the Museum Walls: The Situation of Art in Virtual Space), Paper presented at the AoIR 4.0 - Broadening the Band Conference 16-19 October 2003, 16/10/2003-19/10/2003, AoiR, Toronto, p. 18.
Dziekan, V.L., 2003, Out of the dark: photographic practice in light of virtual studio, eLearning For The Creative Industries - Create.ed 2003 Conference Proceedings, 02 October 03, Faculty of Art, Design and Communication, RMIT University, Melbourne Vic Australia, pp. 59-66.
Dziekan, V.L., 2003, Virtuality and the Art of Exhibition, DCITA/OzeCulture Conference, 30/07/03 - 31/07/03, n/a, Brisbane Qld Australia.
Dziekan, V.L., 2002, Locating possibility- Telling Story across frontiers, internet Research 3.0, 13/10/02 - 16/10/02, Association of Internet Researchers, Masstricht Netherland.
Dziekan, V.L., Pannucci, C., 2011, Interview with Cynthia Pannucci, 'Planet Earth', Interview, Leonardo Electronic Almanac Digital Media Exhibition Platform, online.
Dziekan, V.L., Clancy, P.J., Pynor, H., 2011, Interview with Peta Clancy and Helen Pynor, 'The Body is a Big Place', Interview, Leonardo Electronic Almanac Digital Media Exhibition Platform, online.
Dziekan, V.L., Corby, T., 2011, Interview with Tom Corby, 'The Southern Ocean Studies', Interview, Leonardo Electronic Almanac Digital Media Exhibition Platform, online.
Aceti, L., Paul, C., Dziekan, V.L., 2011, Leonardo Electronic Almanac (LEA) Digital Media Exhibition Platform, Curation of online exhibition platform, Melbourne, VIC.
Dziekan, V., Innocent, T., Wise, C., Collins, J., Hwang, I., 2010, Concept Design and Equipment Recommendation, Monash Art & Design, Caulfield East Vic Australia, pp. 1-30.
Dziekan, V., 2010, 'Explorations of Structure' by Jane Prophet, Exhibition curation, http://www.leoalmanac.org/index.php/lea/browse/C50/.
Dziekan, V., Prophet, J., 2010, Interview with Jane Prophet, 'Explorations of Structure', Interview transcript, Facebook, http://www.facebook.com/topic.php?uid=209156896252&topic=15928.
Dziekan, V., Catanese, P., 2010, Interview with Paul Catanese, 'Visible from Space', Interview transcript, Leonardo Electronic Almanac, http://www.facebook.com/topic.php?uid=209156896252&topic=16317.
Dziekan, V., 2010, Poster, Digital print, Korea Design Center, Seongnam City Gyeonggi-do, South Korea.
Dziekan, V., 2010, Virtual NGV - An Exploratory Study of Applied Media and Communication Strategy, Faculty of Art & Design, Monash University, Caulfield East Vic Australia.
Dziekan, V., 2010, 'Visible from Space' by Paul Catanese, Exhibition curation, http://www.leoalmanac.org/index.php/lea/browse/C50/.
Dziekan, V.L., 2009, Mirabilia (from the Ammonite Order), fortyfive downstairs, Ellikon Press, Fitzroy, Vic, 5 May 2009 - 16 May 2009.
Dziekan, V.L., 2009, The Ammonight Ardor Or, Objectiles from a Waking Dream, Multidimensional installation, Cube 37, Frankston Arts Centre, Frankston, Vic.
Dziekan, V.L., 2009, The Ammonite Order, Or Objectiles for an (Un) Natural History, 2009, ISEA2009: 15th International Symposium on Electronic Art, University of Ulster, Ireland, 23 August to 1 September.
Dziekan, V.L., 2008, The Ammonite Order (or, Objects for an (Un)Natural History), Faculty Gallery, Monash Unviersity, Caulfield Campus, Faculty Gallery, Monash Unviersity, Caulfield Campus, Melbourne, Vic, 11-16 December.
Dziekan, V.L., 2007, Mediating Liquid Architectures: Comments on the Tate's Digital Programme for Expanding Audience Participation through New Technology, Symposium Presentation, National Gallery of Victoria, Melbourne, Vic.
Dziekan, V.L., 2007, Omnium Research Group: Collaboration & Inline Design Education Seminar, Workshop: Online Research Networks, The University of New South Wales, Sydney, NSW.
Reichardt, J., Berg, E., Dziekan, V.L., Rashid, H., Friedman, K., Alonso, R., Condorelli, C., 2006, Liquid Architectures, Tate Online Panel Discussion, Tate Online, London UK.
Dziekan, V.L., 2006, Re:mote, Presenter, ISEA 2006 Symposium (07-13 August 2006), ISEA, San Francisco USA.
Dziekan, V.L., 2006, Remote, Curated, Plimsoll Gallery, University of Tasmania, Hobart, Australia.
Dziekan, V.L., 2006, Remote (Close up, from Afar), Online Catalogue Essay http://www.remoteexhibition.com, Plimsol Gallery, Hobart Tas Australia, pp. 1-10.
Bennett, R., Polaine, A., Dziekan, V.L., McIntyre, S., 2006, Small World - Global Classrooms: Exploring the Potential and Advantages of Fully Online Global Learning Communities, Seminar Presentation, Online Educa Conference, Berlin, Germany (28 November - 01 December 2006), Educa, Berlin Germany.
Dziekan, V.L., 2006, So Tiny So Many, Speaker, Icograda Design Week in Hong Kong (02-25 January 2006), Icograda Design, Hong Kong China.
Dziekan, V.L., 2006, V. Travels in the Netherworld, Plimsoll Gallery, Remote exhibition, Hobart, Tas, 3 - 23 June.
Dziekan, V.L., 2005, (Scanning the) Interlace, Multimedia, Monash University Museum of Art, Melbourne Vic Australia, Editors: M.Delany & K. Hammond, pp. 18-19.
Dziekan, V.L., 2005, Creative Waves, International Online Design Project 2005, online.
O'Brien, D.N., Vu, T.T., Dane, J.E., Bawden, G.T., Perkins, M.J., Innocent, T.C., Newey, S.R., Dziekan, V.L., 2005, The Solivoid Project, Collaborative, interdisciplinary design of coffee lounge installation at Melbourne Exhibition Centre, Designex 2005, Melbourne Exhibition Centre.
Dziekan, V.L., 2004, Asian Pacific Design Exchange Exhibition, Design Center Gallery, Design Center Gallery, Osaka Design Promotion Plaza, Osaka Japan, 17/12/04.
Szamosy, C., Mowson, B., Brown, R., Dziekan, V.L., Zika, J.M., 2003, Nature-History, Small Worlds: A Romance exhibition, University of Technology, Sydney (UTS) Gallery, Broadway NSW Australia, 14 October 2003 to 07 November 2003.
Dziekan, V.L., 2003, Small Worlds: A Romance, Curation of group exhibition at UTS Gallery, Sydney, NSW.
Dziekan, V.L., 2003, Zero Light, Canberra School of Art Gallery, National Australian University, Canberra, ACT, Australia, 10/10/03 to 02/11/03.
Dziekan, V.L., 2002, Point of View - "Reflections" on New Paintings by Trinh Vu, Catalogue essay, Christine Abrahams Gallery, Richmond Vic Australia, p. 1.
Innocent, T.C., Perkins, M.J., Vu, T.T., Dziekan, V.L., Fajl, M., McKeich, M.W., 2002, The Synthetic Image, Caulfield, Victoria, Australia, 08/07/02 - 04/08/02.
Dziekan, V.L., 2002, The Synthetic Image: digital technologies and the image, Curation of The Synthetic Image Exhibition, Faculty of Art & Design Gallery, Monash University, Caulfield East, Vic.
Dziekan, V.L., 2002, Visualizing The Synthetic Image, Catalogue essay, Monash University Faculty Gallery, Caulfield Vic Australia, Catalogue, pp. 1-6.
Dziekan, V., 1997, Work-in-Progress.
Authorised by: Director, Office of Marketing and Communications.
Maintained by: eSolutions ServiceDesk.
Last updated: 18 February 2013.
Copyright © 2013 Monash University. ABN 12 377 614 012 -
Accessibility -
Caution -
Privacy
CRICOS Provider Number: 00008C
We acknowledge and pay respects to the Elders and Traditional Owners of the land on which our six Australian campuses stand. Information for Indigenous Australians
