Chandani works in the Faculty of Arts at Monash University as an Associate Professor.
I was awarded a Commonwealth Scholarship to undertake a PhD in Postcolonial Literature in Australia. I completed the degree at Flinders University, South Australia in 1996. My doctoral thesis was a study of the pioneering Indian women's autobiography and fiction written in English. I read for my Masters Degree (100% research) at the University of Sri Lanka. My research project examined English fiction in Sri Lanka: Leonard Woolf, James Goonewardene and Punyakanta Wijenaike. Having undertaken contract Lecturership positions at the 3 major universities in South Australia, I took up a continuing lecturership in the School of English, Communications and Performance Studies at Monash University in 2001. I am currently an Associate Professor in English, and the founding and continuing Director of the Centre for Postcolonial Writing and Head of the Creative Writing programme at Monash University.
Lynux/Linux, Postcolonial Literary Studies,Creative Writing, Postcolonial Literaturs; Creative Writing, south asian diaspora postcolonial literature desire poetics creativity
Lokuge, C., 2006, Toru Dutt: Collected Prose and Poetry, Oxford University Press, New Delhi India.
Lokuge, C., 2004, Ratanbai : a high-caste child-wife (Nikambe, S. M.), Oxford University Press, New Delhi India.
Lokuge, C., 2003, Love and Life Behind the Purdah (Sorabji, C), Oxford University Press, New Delhi India.
Sorabji C., Lokuge, C. (eds), 2001, India Calling: The Memories of Cornelia Sorabji, India's first woman barrister, Oxford University Press, London UK.
Lokuge, C., 2011, Field notes: Discoveries of self in reading and teaching Salman Rushdie's Midnight's Children, in Beyond 'Other Cultures': Transcultural Perspectives on Teaching the New Literatures in English, eds Sabine Doff and Frank Schulze-Engler, Wissenschaftlicher Verlag Trier, Trier Germany, pp. 239-246.
Lokuge, C., 2008, A case for literature and the search for alternative visions of individual and national freedom: Michael Ondaatje's Anil's Ghost, in Arbiters of a National Imaginary: Essays on Sri Lanka, eds Chelva Kanaganayakam, International Centre for Ethnic Studies, Colombo Sri Lanka, pp. 106-113.
Lokuge, C., 2012, The novelist and censorship: A Sri Lankan-Australian perspective, South Asian Review [P], vol 33, issue 3, South Asian Review, United States, pp. 327-338.
Lokuge, C., 2011, Journey into Vishranti: a critico-autobiographical reflection on diasporic dis-belonging, Interventions: International journal of postcolonial studies [P], vol 13, issue 3, Routledge, UK, pp. 483-494.
Lokuge, C., 2010, The return journey and the aesthetic of rasa in Michael Ondaatje's poetry, Moving Worlds: a journal for transcultural writings [P], vol 10, issue 2, Leeds University, School of English, University of Leeds, pp. 79-91.
Lokuge, C., 2008, Revising the homeland: philosophical and aesthetic dimensions in Adib Khan's Spiral Road, Asiatic: IIUM Journal of English Language and Literature, vol 2, issue 1, International Islamic University Malaysia, Kuala Lumpur, Malaysia, pp. 47-57.
Lokuge, C., 2007, Waters of Desire, Meanjin: On Globalisation and Postcolonial Culture, vol 66, issue 2, Melbourne University Publishing, Melbourne, pp. 25-34.
Lokuge, C., 2011, Softly, As I Leave You, , Arcardia, Melbourne Vic Australia.
Lokuge, C., 2004, Caves of Infinite Buddhas, Meanjin Company Ltd., Australia, pp. 119-123.
Lokuge, C., 2003, Her Red Scarf, Penguin Books, Vic Australia, pp. 82-87.
Lokuge, C., 2003, Turtle Nest, Novels, Penguin Australia, Penguin India, Melbourne Victoria New Delhi India.
Lokuge, C., 2002, Mala's baby in Gas and Air: Tales of Pregnancy, Birth and Beyond, Bloomsbury Publishing PLC, London UK, pp. 105-113.
Lokuge, C., 2000, If the moon smiled, Novels, Penguin Australia, Penguin India, Melbourne Victoria New Delhi India.
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