Dr Carol Williams - Researcher Profile

Biography

Carol works in the Faculty of Arts at Monash University as a Senior Lecturer.

Qualifications

DOCTOR OF PHILOSOPHY

Institution: Unknown

Year awarded: 2005

Publications

Books

Mews, C., Crossley, J., Jeffreys, C., McKinnon, L., Williams, C., 2011, Johannes de Grocheio: Ars Musice, Medieval Institute Publications, Kalamazoo MI USA.

Book Chapters

Crossley, J.N., Williams, C.J., 2011, Studying musica in thirteenth-century Paris: The expectations of Johannes de Grocheio, in Communities of Learning: Networks and the Shaping of Intellectual Identity in Europe, 1100-1500, eds Constant J Mews and John N Crossley, Brepols, Turnhout Belgium, pp. 137-150.

Williams, C., 1998, Musical Time and Clock Time: A conundrum, in All Kinds of Music: In Honour of Andrew D. McCredie, Florian Noetzel Verlag, Heinrichshofen Books, Wilhelmshaven Germany, pp. 255-263.

Williams, C., 1997, "Music Time and Clock Time: A Conundrum", in All Kinds of Music: In Honour of Andrew D. McCredie, Florian Noetzel Verlag Heinrichshofen-Books, Wilhelmshaven, pp. 255-263.

Journal Articles

Mews, C.J., Jeffreys, C.M., McKinnon, L., Williams, C.J., Crossley, J.N., 2008, Guy of Saint-Denis and the Compilation of Texts about Music in London, British Library,Harl. MS. 281, Electronic British Library Journal, vol 2008, issue 6, British Library, London, pp. 1-34.

Duncan, M., Williams, C., Troup, G.J., 1999, Vibrato Frequency and Phase Lock in Operatic Duet Quality, Acoustics Australia, vol 27, Cronulla Printing, NSW Australia, p. 57.

Williams, C., 1998, Perfect Time Over the Years, The Herald Sun, vol 24 august, Herald and Weekly Times, Melbourne Vic Australia, p. 98.

Williams, C., 1998, The Early Music Revival in Australia, Music Forum, Journal of the Music Council of Australia, vol 5 no 2, Music Council of Australia, Sydney NSW Australia, pp. 14-17.

Williams, C., 1998, The Music of Raymond Hanson: A Catalogue Raisonne compiled by Graham Hardie, Currency Press, Sydney 1998, Continuo Journal of the International Association of Music Libraries, Archives and Documentation Centre (Australian Branch), vol 26, International Association of Music Libraries, Melbourne Vic Australia, pp. 21-22.

Williams, C., 1997, "Research Report: The Historical Anthology of Music by Australian Women", Context, vol 13, School of Music, University of Melbourne, Parkville Vic Australia, pp. 59-62.

Conference Proceedings

Duncan, M., Williams, C., Troup, G.J., 1999, Vibrato Frequency and Phase Lock in Operatic Duet Quality, Aust. Acoust. Soc. Conference, 24-26 November 1999, Melbourne, Llenlees Printer, Box Hill Vic Australia, pp. 131-140.

Williams, C., 1998, Ars Musica, the Exiled Daughter of Rhetoric, Borderlines Crossings and Conflicts, Wellington NZ, 2-5 February 1998, Wai-te-ata Press, Wellington NZ.

Williams, C., Panagakis, C., Troup, G.J., Luke, H., 1998, Spectral Vocal Analysis of an X-Ray Videotape of Six Singers, Best Performance: Fourth Voice Symposium of Australia: Conference Programme and Book of Abstracts, Melbourne, Vic. 8-10 October, The Australian Voice Association, Melbourne Vic Australia, p. 88.

Williams, C., 1997, "Sonata as Narrative: Two Examples for piano by Miriam Hyde and Meta Overman", Australian Women's Music Festival 1997; A Celebration of music by Australian Women Composers, 26 September - 1 October 1997, Burwood Press, Yagoona, NSW, Yagoona NSW, p. 24.

Other

Williams, C., 1997, "A necessary guide to Australian music: a reivew of Warren Bebbington, ed., The Oxford Companion to Australian Music, Newsletter: The Centre for Studies in Australian Music, vol 6, The centre for studies in Aust. Music: Uni of Melb, Melbourne Vic Australia, p. 5.

Williams, C., 1997, "A thrilling last stand", The Herald Sun, Herald and Weekly Times, Melbourne Vic Australia.

Williams, C., 1997, "Australian Composition for piano and orchestra, 1900-1960: Soundings of Heritage", Presented paper at the 20th national conference of the Musicological Society of Australia at the University of New England, Armidale, NSW.

Williams, C., 1997, "Carmen before storm", The Herald Sun, Herald and Weekly Times, Melbourne Vic Australia.

Williams, C., 1997, "Doct, elegant de corps et non point trappe: Ockeghem in Life and Death", Invited speaker at the International medieval Congress of Leeds - July 1997.

Williams, C., 1997, "Dramatic symbolism enthrals", The Herald Sun, Herald and Weekly Times, Melbourne Vic Australia.

Williams, C., 1997, "Seasonal Acord', Early Music Ensemble Performance, 1 hour, 21 December 1997.

Williams, C., 1997, "The Opening gesture in medieval music: Prelude to the Overture", Invited speaker to present a Keynote address at the inaurguration of the Centre for Medieval Studies of the University of Sydney.

Williams, C., 1997, A Medieval Bastard - the songs of Audefroi le Bastarde, Early Music Ensemble performance, 1 hour, 7 September 1997.

Williams, C., 1997, Accord's Anniversaries, Early Music Ensemble Performance, 1 hour, 7 November 1997.

Williams, C., 1997, Tristan - Tantris, Early music ensemble performance, 1 hour, 4 May 1997.

Williams, C., 1997, Versions, Conversions, Conversations, Inaugural concert for International Medieval Congress, Leeds, 1 hour 10 mins, 13 July 1997.

Postgraduate Research Supervisions

Completed Supervision

Student:

Brown, K.

Program of Study:

Power, Politics and Piety: The Religious Patronage of the Earls of Chester, c.1070-1232. (Masters) 2003.

Supervisors:

Mews, C (Main), Williams, C (Associate).

Student:

Crowley, J.

Program of Study:

ALFRED HILL - A GRAND OLD MAN OF AUSTRALIAN MUSIC. (Masters) 2001.

Supervisors:

Williams, C (Main).

Student:

Curry, R.

Program of Study:

FRAGMENTS OF ARS ANTIQUA MUSIC AT STARY SACZ AND THE EVOLUTION OF THE CLARIST ORDER IN CENTRAL EUROPE IN THE THIRTEENTH CENTURY. (PHD) 2003.

Supervisors:

Williams, C (Main), Mews, C (Associate).

Student:

Dell, H.

Program of Study:

'An Halte Tour': Age, Time, Gender In The Anonymous Chansons De Toile. (Masters) 2000.

Supervisors:

Williams, C (Main).

Student:

Dodsworth, G.

Program of Study:

THE NATURE OF FOLK SONG IN AUSTRALIA: ORIGINS AND TRANSMISSION. (Masters) 2000.

Supervisors:

Spearritt, P (Main), Williams, C (Associate).

Student:

Duncan, M.

Program of Study:

VIBRATO FREQUENCY AND PHASE LOCK IN THREE VERSIONS OF DELIBE'S LAKME DUET AND ITS EFFECT OF THE PREFERENCE OF VOICE EXPERTS. (Masters) 2000.

Supervisors:

Williams, C (Main).

Student:

Mackay, L.

Program of Study:

MODE IN THE SALVE REGINA SETTINGS OF THE ETON COLLEGE CHOIRBOOK.. (PHD) 2002.

Supervisors:

Williams, C (Main).

Student:

Nowicki, F.

Program of Study:

Ritual, music, and the Council of Florence: a cultural encounter between East and West. (PHD) 2009.

Supervisors:

Kent, F (Main), Kent, F (Main), Howard, P (Joint-Co), Williams, C (Associate), Howard, P (Associate), Williams, C (Associate).

Student:

Stanic, V.

Program of Study:

A Garden for Percy's Delight. (Masters) 2000.

Supervisors:

Williams, C (Main).

Student:

Townshend, D.

Program of Study:

Grammatical Procedure and Rhetorical Gesture as Structural Elements in the Music of Two Part Notre Dame Conductus. (Masters) 2001.

Supervisors:

Williams, C (Main).